C V L T S are an enigma that keep on giving. The past year has seen them previously release 2 cassettes, a split 7″, a split c-30, a download maxi-single, and create their own label – Beer on the rug. Their newest cassette, ‘Theta Distractions’, is the label’s next release.
C V L T S are an act of contradictions. ‘Theta Distractions’ is a truly transgressive album that is heavily weighted by the crackling, distorting, and whirring of old, beaten up keyboards, tape machines and delay pedals. Tape WoW and flutter roots it in earthly tones and textures, whilst the melodies take you to another ‘place’. The music is moody and unsettling, drawing the listener in, but always retaining a cold, calculated distance. The sense of detachment comes from the production. Harsh sounds are still beautiful and poignant; simple, raw in execution. The seemingly improvised compositions breathe life into something that could make the listener feel like a trapped outsider were it not for the repetitive, haunting, loops, sending shivers through the body, like the clicking of joints; nervous tension shifting into excitation and satisfaction. Yet unlike, say, Steve Reich or Terry Riley, the repetition is nowehere near as minimalist, building more like slow post-rock.
With breathtaking brevity, the sweeping, subtly shifting melodies move the listener from one place to the next. The entry of the track ‘White cluster’ is a real thing of beauty, a melody captured that feels instantly like it could bring you to tears. It is one of the strongest moments on the album which pulls the listener out of the immersive atmosphere. One of CVLTS’ strengths is in their knowingness, coaxing out moments like this, like a witch conjuring a spell. Suddenly, by transforming the mood again into a pulsating outro, they bring the audience back into the flowing atmosphere, via a mini-symphony with no regard for traditional songcraft. This is another moment which sums up what CVLTS achieve so well, doing away with unnecessary rules of song. These are sound collages, tiny soundtracks to ominous events that are happening, that you are frightened of but still want to be witness to, like some kind of voyeurism. To achieve so much within such a simple idea and set of rules is no mean feat. By retaining playfulness and casuality, they still entertain a great depth of emotion and substance. Fragmentary, momentary ideas are just a significant as longer pieces. ‘Pain management’ is another majestic track that lifts you into ecstasy, it’s slow, churning euphoria, still remaining understated and melancholy, but shifting the music into more optimistic territory, something which was rather needed by this point.
A short, 20 minute journey, and it’s over. Where did you travel? In such a short time, it feels like a long way.
I have also included other examples of C V L T S’ work, nearly all of which can be heard at their bandcamp here.
This mix was originally on a C-90 for Alex Raoul as a birthday gift at the beginning of May (hence the image above, and it’s considerable length). At his insistence, here it is in all it’s glory. The title refers to the exciting and uncertain time this has been made as a backdrop to. It features some of my favourite tracks and artists from the last year or so who seem to share similar aesthetics.